Shutter Angle – How to make your DSLR video look like film

Shutter Angle - How to make your DSLR video look like film

Video and Music – Copyright © 2011 SurfacedStudio Full tutorial here: www.surfacedstudio.com An instructional video on how to utilise the concept of shutter angle to make your DSLR video look like film! The tutorial covers the effect of shutter speed, how it impacts the look and feel of your footage and what exactly the term ‘shutter angle’ means. It then shows how you can use different shutter angles to give your DSLR video a specific, film like feel. If you like this video, please subscribe to my channel and follow me here: YouTube www.youtube.com Website www.surfacedstudio.com Twitter http
Video Rating: 4 / 5

DSLR Video - Advanced - Cinematic Color Grading

Check out all 30 presets for Premiere, AE, Sony Vegas Pro, and Sony Vegas Platinum on our new website: www.neumannfilms.net Link # 1 – Reference Clips and Color Presets – www.mediafire.com Link #2 – Neat Video – www.neatvideo.com Link #3 – Crazy Delcy Letterbox Pack – crazydelcytv.com Link #4 – Gorilla Grain (Free Film Grain) – gorillagrain.com The contrast and brightness levels were sort of compromised by my screen capturing software but if you download the shots and follow along it shouldn’t be an issue. Also in shot #3 I decreased the Contrast in the LUT Preset to 15 for the lower half of the shot. Check out our website or like and follow on Facebook and Twitter: www.neumannfilms.net www.facebook.com twitter.com

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How to film video with your DSLR-5DMKiii,7D,T2i/550d,T3i/600d Nikon D3,D4,D800,D7000

CLICK HERE TO SIGN UP FOR MY MONTHLY NEWS LETTER: eepurl.com Pick up an “OH SNAP” T-Shirt! kreativevuetv.spreadshirt.com Follow me on these social outlets: www.facebook.com www.twitter.com www.instagram.com KreativeTechLA.blogspot.com http ================================================= Hey everyone! After tons of requests on how to shoot video with your DSLR, I’ve finally got around to doing one. This will be the first on many videos covering the proper way of shooting with your DSLR. As many of you already know my style of teaching, I like to get to the “why” before the “when”. That way “when” you are ready to go out and shoot, you know “why” certain things must take place before filming. I will be doing more in the coming weeks, so don’t worry! Please SHARE, comment rate and of course…SUBSCRIBE! Please let me know if you have any questions. ND Fader Filters (Text contributed from blog.vincentlaforet.com ): A Neutral Density Filter cuts down on the amount of light that reaches sensor (of film.) NDs come in different standard strengths as well– 1 stop, 2 stop, all the way up to 10 stops (and beyond.) For the filmmaker, Neutral Density Filters are an essential tool. Still photographers have a bit more latitude to maneuver their exposure by changing the shutter speed. But filmmakers/videoagraphers generally leave their shutter speed fixed at 1/50th of a second. Therefore the HDDSLR shooter needs an ND filter for pretty much any exterior scene (unless they’re shooting
Video Rating: 4 / 5

Pentax K-5 video review – What Digital Camera tests the K-5 DSLR Read our full review at: www.whatdigitalcamera.com Like us on Facebook: ‪www.facebook.com Follow us on Twitter: @whatdigcamera
Video Rating: 4 / 5

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How To: ND Fader Filter – Cinematographer Ricki Bedenbaugh- In Focus

Tune in every Monday to learn firsthand how to film, edit and shoot like the pros, from your favorite videographers and photographers in skateboarding! Subscribe to Ride: www.youtube.com facebook.com twitter.com instagram @ridechannel

This holiday video covers the entry level offerings of the new mirrorless class of cameras. Entry Level Mirrorless Cameras bhpho.to Learn more about Kelby Training bit.ly

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Nikon D600 Movie – CHASING THE LIGHT (HD)

About a year ago I received an intriguing email from Nikon Tokyo asking me if I would have the time to participate in a special project. Little idea did I have that a few months later I would have the honor to be the first photographer to shoot the new Nikon D600 in the field. From the beginning it was clear to me that I wanted to create a powerful video along with the images and asked my brother Salomon Schulz, who specializes in film-making, to be part of the team to create the official Nikon D600 Movie. Looking at the specs of the D600, we realized this was an extremely versatile camera. That is the reason why we wanted to test the camera shooting landscapes and wildlife, from the deserts of the South West to the mountains of Alaska, and that in winter time. For us photography is a passion that goes far beyond the technical aspects of a camera. It is about experiencing the natural world. In “CHASING THE LIGHT” we wanted to get the feeling across what it is like to head out into the wild to document the natural world. We wanted everybody who likes nature photography to see themselves in this film and say: It is about time I am getting out into the field again. I hope this film does this for you! Filmed by Florian Schulz & Salomon Schulz Got to www.visionsofthewild.com to learn more!
Video Rating: 4 / 5

More INFO on the Short Film School DVD www.tlapro.com Learn what makes great looking images in film, music videos etc. It’s not always the camera but how you design the shots. In this 3rd tutorial I try to explain how I setup a restaurant scene from a narrative film, as well as how I fix one sequence from the same film by re-designing a shot. Watch all my video & photo tutorials here: goo.gl For more info on the film see the official page: www.facebook.com

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Canon 5D Mark III – “Copelandia”

Conceived, Filmed, Edited, and Uploaded in 8 days with a crew of three people. Copelandia is a short film about addiction, in it’s many forms. Check out the Behind the Scenes on our other channel, Neumann Films: www.youtube.com Composed, Written, Edited, and Directed by Luke Neumann Cast Pete Dryden – Allan Hoffman Marika Neumann – The Woman in Blue Luke Neumann – Damien Filmed on the Canon 5D Mark III Nikkor Ai-s 50mm f 1.2 and 28mm f 2.8 Faithful Picture Style 24p All-I Codec Fader ND Filter 5 in 1 Reflector Kit Dynamic Perceptions Stage Zero Dolly Juiced Link Box Rode NTG-3 Edited in Premiere Pro CS5.5 Music by Luke Neumann using: Pro Tools 8 East West Samples Project Sam Follow Neumann Films on Facebook or Twitter. Facebook: www.facebook.com Twitter: twitter.com
Video Rating: 4 / 5

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How to Light a Film Scene – Cinematography & Filmmaking Tutorial 4

More INFO on the Short Film School DVD www.tlapro.com Learn what makes great looking images in film, music videos etc. It’s not always the camera but how you design the shots. In this 4th tutorial I try to explain how I use the exact same setup I used in the previous tutorial for a different scene from the same film. Watch all my video & photo tutorials here: goo.gl The comedic duo that you see in this clip are actually the members of Nocturnal Emissions Comedy… hillarious guys! Please check out their videos here! www.youtube.com For more info on the film see the official page: www.facebook.com
Video Rating: 4 / 5

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My First Look at the RED Epic Camera

www.learningdslrvideo.com I took my girls to a skating rink in Boulder yesterday for a birthday party and when we got there, there was a short feature film being shot at the skating rink. I asked one of the crew what the project was and he said it was a short feature called Delirium, he said it was a psychological thriller that takes place mostly in Europe. They were using a RED camera, I don’t know anything about that line of cameras but it looked like the Epic. I was amazed how uncomfortable the DP because her neck looked so uncomfortable. I guessing they rented the camera and didn’t know how to outfit it properly. The main actor looked a little like Zac Efron, but my wife watched this footage and said it wasn’t. Boy she seemed really uncomfortable with the camera. I looked at the monitor feed, and the footage coming off the RED look very nice. The natural light looked good at 4:30pm in the afternoon. I was amazed how fast they kept moving around the rink, it seemed very unscripted, like they were mostly trying to get B-roll. The director would yell out where they should be. “Director Kunz” was on the clapper board, but I could find anything about him online. Must be a small film, not worried about getting model releases for all the people in the video (extras). Really wish I had a 70-200mm 2.8 Boulder is not really known as a hot bed for film making, so it was fun running in to this production. Royalty free music by PremiumBeat.com

cazillo.com Having proper focus in an image is imperative. No one wants an out of focus picture of themselves or a family member, same goes for other types of photography. This is one of the basics, so you need to get it right all th time. In my video I go over how to use each mode, why you shouldn’t focus then recompose & how I focus. You can also find out what the 1/3-2/3s rule of focus is. Please share this video with your friends! Thanks!
Video Rating: 4 / 5

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Cinematic Look: Canon 650D (Rebel T4i)

Facebook: facebook.com More Canon T4i videos: youtube.com Cinematic look short film shot with the Canon EOS 650D (Rebel T4i) in Full HD with 24 frames per second. Color graded in Adobe After Effects. Lens: Canon 50mm F/1.8 Music by Kevin MacLeod: incompetech.com Twitter: twitter.com Subscribe to see more Canon T4i videos: www.youtube.com Official website: www.fenchel-janisch.com ________________________________________________ Canon EOS 650D 600D 550D Rebel T2i T3i T4i Filmlook “Film Look” Cinematic Look DSLR Filmmaking HDSLR HDDSLR Tutorial Color grading “Color correction” After Effects CS6 CS5.5 Hollywood Autofocus “auto focus” AF
Video Rating: 4 / 5

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Pentax K200D

A brief introduction of the Pentax K200D.

Tune in every other Monday to learn firsthand how to film, edit and shoot like the pros, from your favorite videographers and photographers in skateboarding! Subscribe to Ride: www.youtube.com facebook.com twitter.com instagram @ridechannel

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Aerohead – Repeatable Remote Camera Head – Pacific Motion Control

The Aerohead is a fully repeatable remote camera head that can be configured as a 2 or 3 axis head (pan/tilt, or pan/tilt/roll). It is capable of carrying full sized film camera packages, and is equally at home with a Panavision or Arri 35mm Film camera, as with a Red One or Sony HD camera. It can also interface with Preston lens controls and lens motors, and can record and play back lens movements along with camera movements. The Aerohead features very quiet servo motors, so it is great for sound sync environments. A typical Aerohead package includes a 2 or 3 axis camera head, Aerohead control panel, Pan/Tilt/Roll handwheels or pan bar, Preston Interface, Preston FI+Z 2 wireless lens controller, Preston lens motors, a bloop light (for syncing multiple takes), power supply, and all necessary cables. This complete package can be shipped in just a few flight approved cases. Pacific Motion Control has a large rental inventory of repeat heads, remote heads, and motion control camera heads, including 2 and 3 axis Aeroheads, the Talon 2 axis repeat/remote camera head, and our 2 and 3 axis stepper and servo motion control camera heads. The Aerohead and Talon are equally well suited for cranes, jibs, dollies, and sticks. Our motion control camera heads can be used alone, or with our motion control cranes and dollies, for up to 9 axes of motion (Track/Dolly, Boom, Swing, Pan, Tilt, Roll, Focus, Iris, Zoom). Additionally, our Kuper motion control software can control additional
Video Rating: 5 / 5

From the popular all-free photography education website www.FreePhotoCourse.com – Learn to understand and use the manual exposure settings on your point-and-shoot or DSLR digital camera. This 10-minute video explains all there is to know about manual exposure control, including ISO, F-stops and Shutter Speed adjustments. Visit FreePhotoCourse.com for more totally free photo lessons, tips, how-to’s, contributor’s gallery, photography forum, and discount camera and photo gear store!

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